Voisin has developed Artefacts Schemas Domaines (ASD), a design practice that embodies an ethical framework parallel to capital. It explores the materiality of the object where it meets tradition and contemporary narrative. In many of his projects, the object’s form is subverted by a poetics of utility, without ever forsaking the primacy of the material itself. The genesis of this grounding is marked by The Foot Hanger, which transforms a biological organ—the artist’s own foot—into a reproducible artifact destined for a truly absurd, yet functional, use. Hovering on the edge of sculpture, these pieces are occasionally exhibited in galleries, contributing to a total conception of creation where utility and contemplation coexist.

With Mattainai (Tokyo, 2025), a collection of 35 unique incense burners, Voisin reflects on material value by repurposing discarded wood fragments. Each piece is composed and assembled by hand, elevating debris into ritual objects that resonate with their specific production context. In Japan, where material and craft carry profound cultural and emotional weight, this series finds its spiritual home. Simultaneously, the Black Zodiac series proposes a different integration of the ancestral and the resilient. For this collection of chairs, he draws inspiration from the Japanese technique of Yaki-Sugi (charred wood), staining them a deep, midnight blue—a nod to the pursuit of permanence against fire and decay.